Don't Look Now (1973):

musings on the vast world of cinema



The cinema of David Cronenberg has always fascinated me. There is a boldness and a wholly anomalous sensibility to his films that continues to strike a chord with me. The trailer for his latest film, Eastern Promises, has just recently been released, and again, I am fascinated.
My introduction to Noah Baumbach's directorial work came at the 2005 New York Film Festival, where his film The Squid and the Whale became not only one of my favorite films at the festival, but also one of my favorite films of that year. I have been anticipating his follow up ever since, and today Moviefone has posted the exclusive first look at his next film, Margot at the Wedding. The cast is quite interesting, with Nicole Kidman, Jennifer Jason Leigh, an unusually restrained Jack Black, and John Turturro. And the involvement of cinematographer and Gus Van Sant favorite Harris Savides (Gerry) guarantees a beautiful looking film. It seems that Baumbach has fashioned another intelligent, low-key look at familial dysfunction. The film is set for a limited release on October 12.
Peter Greenaway is one of those rare directors who's work I would enjoy even with the sound off. He is a visual genius with an incredible talent for composition. If you don't believe me, watch any 10 seconds of The Cook, the Thief, His Wife and Her Lover (on my shortlist of the most beautiful films ever made). It seems that Greenaway is putting his painterly eye to appropriate use with his next film Nightwatching, which explores the life of Dutch painter Rembrandt van Rijn, and the mystery behind his famous work "The Night Watch." Martin Freeman, of BBC's The Office and the recent The Hitchhikers Guide to the Galaxy, plays Rembrandt.
The full trailer for Takeshi Kitano's next film, Kantoku: Banzai! is online, and words can't do justice to the absurdity on display. The film looks to be in the same vein as Takeshis', the director's previous film, in which he took a humorous look at his persona. The thing I love about Kitano is his willingness to experiment and with this new film it seems he is doing just that.